Select Page

Venite videte martyrem! – 17th c. Italian Motets and Sonatas

Venite videte martyrem!

Motetos e obras instrumentais italianas do século XVII |
17th century Italian motets and instrumental works

São Lourenço, Padroeiro da Igreja do Seminário |
Saint Laurence, Patron of the Seminary Church

450º aniversário de Claudio Monteverdi (1567-2017)
Claudio Monteverdi (1567-2017) 450th anniversary

Ludovice Ensemble:
Fernando Guimarães, tenor
Miriam Macaia Martins, violino barroco | baroque violin
Fernando Miguel Jalôto, órgão barroco | baroque organ

Programme:
Tarquinio Merula (1595-1665)
Moteto a voce sola & violino “Gaudeamus omnes in Domino”

Giovanni Andrea Cima (fl.1606-1627)
Capriccio a 2

Luca Marenzio (1556-1599)
Moteto a 4 “Beatus Laurentius”

Girolamo Frescobaldi (1583-1643) 3’00”
Toccata ottava (libro primo)

Claudio Monteverdi (1567-1643)
Moteto a voce sola “Venite videte martyrem”

Giovanni Battista Fontana (ca.1580 – ca.1630)
Sonata seconda a violino solo

Andrea Gabrieli (c. 1510-1586)
Moteto a 4 “Levita Laurentius”

Girolamo Frescobaldi (1583-1643) 4’00”
Toccata ottava di durezze e ligature (libro secondo)

Claudio Monteverdi (1567-1643)
Moteto a voce sola “Jubilet tota civitas”

Giovanni Pierluigi da Palestrina (1525-1594)
Moteto a 5 “Beatus Laurentius orabat”

Dario Castello (ca.1590-ca.1658)
Sonata prima a soprano solo

Claudio Monteverdi (1567-1643)
Moteto a voce sola “Currite populi”

Tarquinio Merula (1595-1665)
Moteto a voce sola & violino “Cantate, jubilate”

Pontos de Interesse

Artes dos Palco

The performing arts had strong institutional anchors in the city, and new independent groups emerged from the newly created vocational and higher education schools when, in May 1998, Porto was chosen as the European Capital of Culture . The National Theater of S....